{"id":4758,"date":"2025-03-04T20:43:20","date_gmt":"2025-03-04T20:43:20","guid":{"rendered":"https:\/\/rochelleowens.net\/new\/?page_id=4758"},"modified":"2025-04-08T13:50:09","modified_gmt":"2025-04-08T13:50:09","slug":"videos","status":"publish","type":"page","link":"https:\/\/rochelleowens.net\/index.php\/videos\/","title":{"rendered":"Videos"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row content_placement=&#8221;bottom&#8221; css=&#8221;.vc_custom_1741120964055{margin-top: 25px !important;margin-bottom: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;]<style>.vcex-heading.vcex_6a21c5548cebe{color:#000000;font-size:24px;font-weight:700;}<\/style><h1 class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-balance wpex-heading wpex-text-2xl wpex-mb-20 vcex_6a21c5548cebe\"><span class=\"vcex-heading-inner wpex-inline-block\">Chucky's Hunch<br \/>\n2024, 66 min.<\/span><\/h1>[vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;0px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;16px&#8221;]&#8221;Chucky&#8217;s Hunch&#8221; by Rochelle Owens. A series of monologues in the form of letters performed by Charles Berliner.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/OZdRLyXTNbI?si=IPKbxJcD8FhasX7V&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221;][vc_column][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]<strong>Review by Susan Smith Nash in E-Learning Corgi Apr. 2024<\/strong><\/p>\n<p>When Rochelle Owens\u2019s play, Chucky\u2019s Hunch, was first performed Off-Broadway in 1981, critics lauded what they expressed as a tour-de-force performance by the actor playing Chucky, and they took the plot at face value. <a href=\"https:\/\/elearnqueen.blogspot.com\/2024\/04\/a-2024-video-performance-of-chuckys.html\" target=\"_blank\" rel=\"noopener\"><strong>Click here<\/strong><\/a> to read more.[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221; css=&#8221;.vc_custom_1741120964055{margin-top: 25px !important;margin-bottom: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;]<style>.vcex-heading.vcex_6a21c5548d4df{color:#000000;font-size:24px;font-weight:700;}<\/style><h1 class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-balance wpex-heading wpex-text-2xl wpex-mb-20 vcex_6a21c5548d4df\"><span class=\"vcex-heading-inner wpex-inline-block\">Black Chalk<br \/>\n1994, 28 min.<\/span><\/h1>[vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;0px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;16px&#8221;]Black Chalk, a dynamically paced series of images and language, is a narrative and poetic meditation about the European conquest of the Americas, the life and work of Leonardo DaVinci, and contemporary society&#8217;s issues.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/EdTdsfaessY?si=mLIWeZM4EZMHjV8V&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221;][vc_column][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]<strong>Review by Susan Smith Nash in E-Learning Corgi Oct. 2023<\/strong><\/p>\n<p>It\u2019s hard to believe it has been almost 30 years since the long poem, \u201cBlack Chalk,\u201d was published as a chapbook by Texture Press in Norman, Oklahoma. A companion video was filmed and produced in Wellfleet, Massachusetts, to be debuted at the Fred Jones Museum of Art on the campus of the University of Oklahoma. <a href=\"https:\/\/elearnqueen.blogspot.com\/2023\/10\/revisiting-black-chalk-1994-by-rochelle.html\" target=\"_blank\" rel=\"noopener\"><strong>Click here<\/strong><\/a> to read more.[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221; css=&#8221;.vc_custom_1741120693110{margin-top: 25px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;]<style>.vcex-heading.vcex_6a21c5548d924{color:#000000;font-size:24px;font-weight:700;}<\/style><h1 class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-balance wpex-heading wpex-text-2xl wpex-mb-20 vcex_6a21c5548d924\"><span class=\"vcex-heading-inner wpex-inline-block\">How Much Paint Does the Painting Need?<br \/>\n1992, 30 min.<\/span><\/h1>[vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;0px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;16px&#8221;]How Much Paint Does The Painting Need presents multiple perspectives on the process of making art from the point of view of actors as well as critics and the artists themselves. A fusion of the present, past, mythology, religious imagery and innovative art forms.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/WNrTowBOd28?si=vPhxTXKtb15CzCA3&#8243; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221;][vc_column][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]<strong>Review by Susan Smith Nash in TapRoot Issue #4 Feb. 1994<\/strong><\/p>\n<p>An experimental art film of seething, coming-to-the-surface violence and raging, polyphonous voices. The collaged surface of images and rich, color-saturated shots of artists speaking and repeating Owens&#8217; poetry from behind veils or screens of rain-splattered glass or meshes of ropes suggest new ways of reading Owens&#8217; poetry. One motif predominates: a strong, white-robed Native American woman striding through tall green marsh grass. This image connects the visceral with the earth, and suggests that colonized or exterminated peoples (or genders) still live in the core of the cultural imagination.[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221; css=&#8221;.vc_custom_1741120693110{margin-top: 25px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;]<style>.vcex-heading.vcex_6a21c55499399{color:#000000;font-size:24px;font-weight:700;}<\/style><h1 class=\"vcex-heading vcex-heading-plain vcex-module wpex-text-balance wpex-heading wpex-text-2xl wpex-mb-20 vcex_6a21c55499399\"><span class=\"vcex-heading-inner wpex-inline-block\">Oklahoma Too<br \/>\n1987, 30 min.<\/span><\/h1>[vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;0px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;16px&#8221;]Oklahoma Too concerns the art of salesmanship, shifting relationships and power games. It is a post-modern docudrama that is at times improvisatory as well as poetic; a satirical portrait of middle America&#8217;s fondness for gold nugget jewelry.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/1wVC8Oh6SPU?si=DxsKuQWHuHOjg9b0&#8243; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221;][vc_column][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]<strong>Review by Susan Smith Nash in E-Learning Corgi Sept. 2023<\/strong><\/p>\n<p>The short film, Oklahoma Too, written and directed by Rochelle Owens in 1987, is filled with wry humor and social commentary. In addition, it is an exploration of the capacity of language to classify, represent truth, human desire and behavior, and ultimately to contain the seeds of its own disruption of meaning(s). <a href=\"https:\/\/elearnqueen.blogspot.com\/2023\/09\/oklahoma-too-rare-video-gem-by-rochelle.html\" target=\"_blank\" rel=\"noopener\"><strong>Click here<\/strong><\/a> to read more.[\/vc_column_text][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]<strong>Review by April Kingsley, April 28, 1988<\/strong><\/p>\n<p>Rochelle Owens&#8217; innovative video, OKLAHOMA TOO, stretched the medium of poetry by invading another \u2014 video \u2014 which in turn was expanded in the process. Surreal and absurd, yet biographical and true to life, Owens&#8217; poem-video is a hybrid with brilliant plumage. The ellipses and thought jumps of poetry find perfect expression in the collage character of video and the results in Owens&#8217; hands are hilarious at the same moment they enlighten. Video \u2014 a perfect union of image and idea \u2014 is a medium made for her. As an art critic who knows most of the artist-subjects of HOW MUCH PAINT DOES THE PAINTING NEED, which I heard her read last summer, I await its visualization with an especially focused interest.[\/vc_column_text][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]<strong>Comment by David Antin, poet and art critic, April 27, 1988<\/strong><\/p>\n<p>Rochelle Owens is one of this country&#8217;s foremost avant-garde playwrights, has won many distinctions Off Broadway, had her plays performed and reviewed nationally and internationally, and she is also a poet of distinction. Recently she has begun working in video, and I have had the opportunity of seeing her first completed video piece &#8220;Oklahoma Too&#8221; and a new work in progress &#8220;How Much Paint Does the Painting Need.&#8221; Both of these works reveal an original sensibility and a way of working, employing both her verbal resources as a poet and comic dramaturgic capabilities for farcical improvisatory scenes that she combines with more formal verbal resources in a way that is entirely novel for video. I sense that if she keeps working with the medium she is going to make very important contributions to the field, with which as a long time art and video critic I am quite thoroughly familiar.[\/vc_column_text][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]<strong>Comment by Joanna E. Rapf, Professor of Film Studies, May 12, 1988<\/strong><\/p>\n<p>ROCHELLE OWENS has a national\u2014indeed, international\u2014reputation as a poet and playwright who has been extraordinarily creative and continually productive both in New York City and now in Oklahoma where she has lived for the past few years. I have taught her play, Futz, in my film and drama course, and we also studied the film adaptation. The students were awed, and thrilled to have her give a guest lecture. She has also taught playwriting here at the University, given many readings, and helped to revitalize and reinvigorate the creative arts in our community.<\/p>\n<p>She has recently combined her talents as poet and playwright in a new medium, video, and produced a witty and thought-provoking 30 minute film entitled &#8220;Oklahoma Too.&#8221; Using as a base the Oklahoma production of and fondness for nugget jewelry, she playfully satirizes middle-aged, middle America, our delights, perversities, and causes, with lyric intensity. The balance of sequences in the video varies the pace and focus so that visually and aurally I, as a viewer, was constantly engrossed. There is a careful pattern of repetition, giving a sense of structure and closure, and strengthening the memory of face, form, and content.<\/p>\n<p>ROCHELLE OWENS is working in an exciting new medium for her. She is a committed, energetic artist, establishing new possibilities for creative expression, and bringing together a wealth of experience, and an intensity of voice and vision.[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row content_placement=&#8221;bottom&#8221; css=&#8221;.vc_custom_1741120964055{margin-top: 25px !important;margin-bottom: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;0px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;16px&#8221;]&#8221;Chucky&#8217;s Hunch&#8221; by Rochelle Owens. A series of monologues in the form of letters performed by Charles Berliner.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/OZdRLyXTNbI?si=IPKbxJcD8FhasX7V&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221;][vc_column][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]Review by Susan Smith Nash in E-Learning Corgi Apr. 2024 When Rochelle Owens\u2019s play, Chucky\u2019s Hunch, was first performed&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4758","page","type-page","status-publish","hentry","entry","no-media"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Videos - American Poet and Playwright<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rochelleowens.net\/index.php\/videos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Videos - American Poet and Playwright\" \/>\n<meta property=\"og:description\" content=\"[vc_row content_placement=&#8221;bottom&#8221; css=&#8221;.vc_custom_1741120964055{margin-top: 25px !important;margin-bottom: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;0px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;16px&#8221;]&#8221;Chucky&#8217;s Hunch&#8221; by Rochelle Owens. A series of monologues in the form of letters performed by Charles Berliner.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/OZdRLyXTNbI?si=IPKbxJcD8FhasX7V&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221;][vc_column][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]Review by Susan Smith Nash in E-Learning Corgi Apr. 2024 When Rochelle Owens\u2019s play, Chucky\u2019s Hunch, was first performed&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rochelleowens.net\/index.php\/videos\/\" \/>\n<meta property=\"og:site_name\" content=\"American Poet and Playwright\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-08T13:50:09+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/rochelleowens.net\/index.php\/videos\/\",\"url\":\"https:\/\/rochelleowens.net\/index.php\/videos\/\",\"name\":\"Videos - American Poet and Playwright\",\"isPartOf\":{\"@id\":\"https:\/\/rochelleowens.net\/#website\"},\"datePublished\":\"2025-03-04T20:43:20+00:00\",\"dateModified\":\"2025-04-08T13:50:09+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/rochelleowens.net\/index.php\/videos\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/rochelleowens.net\/index.php\/videos\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/rochelleowens.net\/index.php\/videos\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/rochelleowens.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Videos\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/rochelleowens.net\/#website\",\"url\":\"https:\/\/rochelleowens.net\/\",\"name\":\"Rochelle Owens\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/rochelleowens.net\/#\/schema\/person\/a0ff66cdff3a23ede8b25ba2edceb6f7\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/rochelleowens.net\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/rochelleowens.net\/#\/schema\/person\/a0ff66cdff3a23ede8b25ba2edceb6f7\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/rochelleowens.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/rochelleowens.net\/wp-content\/litespeed\/avatar\/8ef074e770a0b1fdf1cf3af8953d0938.jpg?ver=1780332458\",\"contentUrl\":\"https:\/\/rochelleowens.net\/wp-content\/litespeed\/avatar\/8ef074e770a0b1fdf1cf3af8953d0938.jpg?ver=1780332458\",\"caption\":\"admin\"},\"logo\":{\"@id\":\"https:\/\/rochelleowens.net\/#\/schema\/person\/image\/\"},\"sameAs\":[\"https:\/\/rochelleowens.net\/new\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Videos - American Poet and Playwright","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/rochelleowens.net\/index.php\/videos\/","og_locale":"en_US","og_type":"article","og_title":"Videos - American Poet and Playwright","og_description":"[vc_row content_placement=&#8221;bottom&#8221; css=&#8221;.vc_custom_1741120964055{margin-top: 25px !important;margin-bottom: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;0px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;16px&#8221;]&#8221;Chucky&#8217;s Hunch&#8221; by Rochelle Owens. A series of monologues in the form of letters performed by Charles Berliner.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/OZdRLyXTNbI?si=IPKbxJcD8FhasX7V&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221;][vc_column][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;30px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]Review by Susan Smith Nash in E-Learning Corgi Apr. 2024 When Rochelle Owens\u2019s play, Chucky\u2019s Hunch, was first performed&hellip;","og_url":"https:\/\/rochelleowens.net\/index.php\/videos\/","og_site_name":"American Poet and Playwright","article_modified_time":"2025-04-08T13:50:09+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/rochelleowens.net\/index.php\/videos\/","url":"https:\/\/rochelleowens.net\/index.php\/videos\/","name":"Videos - American Poet and Playwright","isPartOf":{"@id":"https:\/\/rochelleowens.net\/#website"},"datePublished":"2025-03-04T20:43:20+00:00","dateModified":"2025-04-08T13:50:09+00:00","breadcrumb":{"@id":"https:\/\/rochelleowens.net\/index.php\/videos\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/rochelleowens.net\/index.php\/videos\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/rochelleowens.net\/index.php\/videos\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/rochelleowens.net\/"},{"@type":"ListItem","position":2,"name":"Videos"}]},{"@type":"WebSite","@id":"https:\/\/rochelleowens.net\/#website","url":"https:\/\/rochelleowens.net\/","name":"Rochelle Owens","description":"","publisher":{"@id":"https:\/\/rochelleowens.net\/#\/schema\/person\/a0ff66cdff3a23ede8b25ba2edceb6f7"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/rochelleowens.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":["Person","Organization"],"@id":"https:\/\/rochelleowens.net\/#\/schema\/person\/a0ff66cdff3a23ede8b25ba2edceb6f7","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/rochelleowens.net\/#\/schema\/person\/image\/","url":"https:\/\/rochelleowens.net\/wp-content\/litespeed\/avatar\/8ef074e770a0b1fdf1cf3af8953d0938.jpg?ver=1780332458","contentUrl":"https:\/\/rochelleowens.net\/wp-content\/litespeed\/avatar\/8ef074e770a0b1fdf1cf3af8953d0938.jpg?ver=1780332458","caption":"admin"},"logo":{"@id":"https:\/\/rochelleowens.net\/#\/schema\/person\/image\/"},"sameAs":["https:\/\/rochelleowens.net\/new"]}]}},"_links":{"self":[{"href":"https:\/\/rochelleowens.net\/index.php\/wp-json\/wp\/v2\/pages\/4758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rochelleowens.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rochelleowens.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rochelleowens.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rochelleowens.net\/index.php\/wp-json\/wp\/v2\/comments?post=4758"}],"version-history":[{"count":24,"href":"https:\/\/rochelleowens.net\/index.php\/wp-json\/wp\/v2\/pages\/4758\/revisions"}],"predecessor-version":[{"id":5609,"href":"https:\/\/rochelleowens.net\/index.php\/wp-json\/wp\/v2\/pages\/4758\/revisions\/5609"}],"wp:attachment":[{"href":"https:\/\/rochelleowens.net\/index.php\/wp-json\/wp\/v2\/media?parent=4758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}