{"version":"1.0","provider_name":"American Poet and Playwright","provider_url":"https:\/\/rochelleowens.net","author_name":"admin","author_url":"https:\/\/rochelleowens.net\/index.php\/author\/admin_730edwc6\/","title":"Controlled Hysteria - American Poet and Playwright","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RMcHR483Mr\"><a href=\"https:\/\/rochelleowens.net\/index.php\/controlled-hysteria\/\">Controlled Hysteria<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/rochelleowens.net\/index.php\/controlled-hysteria\/embed\/#?secret=RMcHR483Mr\" width=\"600\" height=\"338\" title=\"&#8220;Controlled Hysteria&#8221; &#8212; American Poet and Playwright\" data-secret=\"RMcHR483Mr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/rochelleowens.net\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"[vc_row content_placement=&#8221;bottom&#8221; css=&#8221;.vc_custom_1741873638047{margin-top: 25px !important;}&#8221;][vc_column][vc_column_text css=&#8221;&#8221; bottom_margin=&#8221;0px&#8221; color=&#8221;#000000&#8243; font_size=&#8221;14px&#8221;]By Toby Olson There is in Rochelle Owens&#8217; stance a quality of naive purity. This attitude is found in the plays, but it is most centrally evident in her most recent poetry. It is an old fashioned quality, one that was more common before words like &#8216;risking&#8217;&hellip;"}